Nattering

Friday Five

In which we return to random Fridays.

1. The children's and YA literature community lost one of its brightest lights this week, in L.K. Madigan (aka Lisa Wolfson). I never met Lisa in person, but we exchanged a few emails (always memorable, always funny), chatted on twitter and shared an agent. (In fact, I believe the weekend I signed with Jenn, Lisa was at a retreat with Laini Taylor; Laini wrote with congratulations and mentioned that at the retreat her friend had said her agent just signed someone new, and that the writer's name must be a pseudonym–to which Laini laughingly told her she didn't think so. I was thus thoroughly charmed by Lisa before we ever interacted.) She was someone I very much wanted and expected to meet someday. I was a huge fan of her work, and have the greatest of sympathies for those who knew her well. The outpouring of memories in the past couple of days is quite astounding. We should all be so lucky as to touch so many lives. A trust fund has been set up to help fund her son's college education; I can't think of a better way to remember her. Donate if you can.

2. I don't know where to go from there, but it didn't seem like something I could save for the end of this post.

3. I've been horribly behind and playing catch up this week. Also, trying to remind myself how many things I've gotten done in February, despite lots and lots of whirlwind, and thus not stress about the fact that I'm only resurfacing now. I've been in such a weird space of such busyness that I haven't even been watching The Vampire Diaries as it airs. I know! Worrisome. I start it, then decide to save it for later. (I have, however, been watching Fringe when it airs. Oh, show, you have me biting my nails. I will never have sympathy for Fauxlivia!) Please do not cancel this one, network. I want at least one more season.

4. I've been thinking a lot about all the advice that goes around for people at the beginning of their careers (a lot of it for before those careers really start). And the thing I keep coming back to is: It's different for everyone. Everyone's path is different. So don't worry too much about prescriptions (or proscriptions) that say you can do this, but not that; that if you do X, then you'll never do Y. Take the opportunities that come to you if they are ones you want to, and don't worry too much about the ones you don't take or that aren't right or that never come your way. Keep working. Behave with integrity. Be a professional, which means taking your work and your actions seriously. (Even before others do.) Something you do or say at some point will prickle someone's skin the wrong way, but if you're being thoughtful, professional, and acting with integrity, that's all you can do. Help other people when you can. Do what feels right and meaningful. Keep learning. The rest will sort itself out. I promise.

5. In very exciting news, my sweetie Christopher Rowe's first novel* Sandstorm is due out March 1. Which is next week. Eek! Yay! It's the fulfillment of a since-teenagedom dream he's had to write a novel set in the Forgotten Realms, novels that were very, very influential for him as he was growing up. And I couldn't be prouder or happier. I've been reading one of the author copies that showed up this week (you might find it in a few stores already, actually), and it's just as good as I remembered–full of exciting intrigue, and some of my favorite characters ever. As he described it in a recent interview: "Sandstorm is a fantasy novel that features action, adventure, gladiators, monsters, love, loss, revenge, some more monsters, genies, an assassin with the head of a crow, an ancient book of stories, twins, minotaurs, evil priests, epic battles, floating palaces, secret societies, and the finest circus in all the Forgotten Realms." If you like high fantasy (or have ever played D&D), give it a try. To celebrate the release, I'll be hosting a Dungeons & Dragons Salon with the thoughts of some other very smart, excellent writers for whom gaming and/or the related fantasy novels were also influential. So make sure you drop by on Tuesday.

*He's hard at work on the second one now, Sarah Across America, and it is DIVINE. Although the fact he writes on the typewriter and doesn't like leaving a sheet in it overnight means that he frequently ends the day in mid-sentence, on the biggest cliffhangers ever. My nerves! I can't take it.

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The French, Werepossums, Millionaires and Circus Folk

What do these things have in common? They have made my sickbed languishing this week far, far less obnoxious*.

I'm feeling better today, finally, though off to the doctor anyway to make sure I don't now have a sinus infection as I'm still Not Well and my left eye's a bit swollen. But a list:

Anna and the french kiss1. Anna and the French Kiss by (the delightful) Stephanie Perkins. How much do I love this book? So much I stayed up half the night to finish it even though I was on major league nighttime cold medicine. I'm  sure you've heard many wonderful things about it already, and I've been looking forward to it for an age; it really did live up to my every expectation. An absolutely wonderful and rare contemporary YA romance, an impeccably executed story both frothy and substantial, and well worth your time. Anna, her friends and family (especially her dad–Nicholas Sparks, your ears are burning) all feel absolutely real to me; every character has their own compelling narrative, which makes for crackling scenes and the kind of rich world so essential for boarding school stories (in this case SOAP, the School of America in Paris). This book also has two things I wish I saw more often: a love story based on a real friendship (swoon) and friendships between girls that are believably complicated and important to all parties involved. Plus, they go see It Happened One Night.

2. So the only thing I could find a true marathon of on Tuesday was Millionaire Matchmaker, a show I was unfamiliar with previously. I was ambivalently switching back and forth between Portia de Rossi on Oprah (did you know she made up her name after she and a h.s. track competitor shared the same one?) and this show until Judith Regan turned up as a matchmakee. I couldn't. look. away. A lot of these guys though, clearly serial killers, and even some of the women, wow. And I just love these cattlecalls they hold to "cast" the soulmates and then there's this one episode where they are surprised to find a golddigger in the ranks and, really? You're introducing people to millionaires and they have to stand in front of you in an open call and be humiliated by charmingly frank assessments and they're not supposed to be golddiggers? "Oh, I'm not a golddigger, I just think that I would have a lot in common with a millionaire." Um, sure. Also, apparently all redheads must dye their hair if they want to find love. This show is CRAZYTOWN.

BLESSED_hardcover_CP3. Blessed by (the wonderful) Cynthia Leitich Smith. I've been looking forward to this one for MORE than an age, since long-time readers will remember how much I ADORE its predecessors Tantalize and Eternal. Blessed rounds out the trilogy (are there more? I shall find out), and is a direct follow-up to Tantalize, bringing back teen restauranteur and (not-really-a-spoiler) newly turned vampire Quincie Morris. Characters from Eternal soon show up on the scene, including guardian angel Zachary, and Quincie's going to need them because not only is her maker Brad going Dracula in her dreams, everyone who had the chilled baby squirrels he prepared at her vampire-themed restaurant has been infected and will soon go vamp too… unless she can stop it. And did I mention her best friend Kieren (more best friend romance, yay!) who she's recently hooked up with is now disappeared to a secret wolf pack locale? Yes, yes, you must read this one. Even if you are totally sick of werewolves and vampires and angels. (Did I mention there's a werepossum?) This series is set apart by its rich, quirky universe, the way Cyn plays with gender dynamics, and how truly funny and poignant it is. Not to mention it's in direct conversation with Bram Stoker's Dracula. I. Loved. It.

4. Circus. My long-time fascination with all things circus-related will surprise no one. Anyway, Barb and Richard were here for the New Year's weekend as usual, and by Sunday sick girl was really not wanting to do much of anything but laze on the couch and watch television. Luckily, I had all six hours of the Circus documentary series about a year in the life of the Big Apple Circus, which aired on PBS earlier this year, stored on the DVR. Every time I'd turn them on in C's presence, he wasn't interested (despite the fact that his book is a fabulous circus book), but Barb turned out to be the perfect viewing companion. We got completely sucked into the personalities and dramas (I still want to know what happened to horse groom Heidi, and hope she makes her way back to the circus). It was highly enjoyable, and now I'm toying with a circus book in my backbrain. Also, I so wish there were trapeze classes around here somewhere.

Next up some Dia Reeves and, hopefully, being WELL.

*Does not deal well with forced breaks. And, in all fairness, the millionaires part was kind of noxious.

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To All Of You

Happy New Year, and the wishes for whatever you long for to be yours. I am currently longing for delicious champagne cocktails, and wonders, a cocktail maestro is on hand to prepare them.

I take this as a good sign.

Also, having caught up, I'll be back and posting next week.

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Pleasant Hibernations

It's rainy and dreary. Our roof seems to have a small leak, based on the small drip drip drip in our utility room when the rain comes down hard; this is only to be expected in a hundred-year-old plus house, so I'm not too worried about it. Especially since the source is mysterious despite Christopher journeying onto the shingles, the roof itself isn't that old, and our neighbor who used to be a carpenter says their hundred-year-old house built at the same time as ours also has a mysterious leak and they don't worry about it too much. Don't worry or leave dread scenarios in the comments. We'll call someone to look at it, promise.     Pippi longstocking

Anyway, there's part of me that feels very Pippi Longstocking about it.* Leaky houses always seemed like the kind of glamorous thing encountered in books, while, you know, the far less glamorous flooded basements were the stuff of my own childhood. No alluring buckets, only the ugly roar of shopvacs. I just need to wear mismatched patterned knee socks around the house, and the effect will be even better.

My sojourn from the creepy island book is done, and today I dive back in. The beginning of winter (in terms of actual weather) seems like an ideal time to hunker down in the writing bunker. Hibernation only without the hibernation part**. Oh, how I love this part of any project. The first time you roll up your sleeves armed with pen and someone else's notes and begin the journey to version 2.0. Or from beta release to one that is… less beta.

I've been cheating on hangovers for the past week or so, experimenting with sticking little links at Tumblr instead. This seems easier to manage, and is likely to continue for the foreseeable future, with random natterings like this one and book recommendations landing here. We'll see.

For now, I'm donning those socks and rolling up my sleeves.

*Or very Rivane Neuenschwander–when we were last in NYC Scott took us to the New Museum and they had a big exhibition of her work on display, including a riveting immersive installation called Rain Rains involving aluminum buckets hung from the ceiling dripping water into buckets below. The cumulative soundscape ended up making everyone quiet as they began to take it in. Pretty amazing.

**There's a new issue of LCRW just out on the street and the Dear Aunt G features much on the topic of hibernation. Also, space madness. Forewarned is forearmed.

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Smash Cut/Vamp Talk Thursday

I am ALMOST done with draft one of the new novel, but not quite. Still, after many words written this week, the end is very close. If I don't hit it before we leave for WFC in the morning, it'll happen in the car on the Neo.

Draft! will make me very happy. As will tired brain Thursday viewing of:

Masquerade. Damon and Stefan devise a new plan to deal with Katherine at the Lockwood's masquerade ball. Katherine asks her friend, Lucy, to join her at the ball. Bonnie, Alaric, and Jeremy do their best to help Stefan and Damon with their plan, but Katherine has a surprise that none of them expected. The evening takes a bad turn when Tyler and Matt start doing shots with their friends.

Will attempt a post or two from Columbus, but that may be overly ambitious. Onward.

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Monday Five

Because I haven't managed to do the random post on Fridays lately, and really, why not on Monday?

1) Lots of people are recommending scary reading in honor of Halloween, which is a lovely idea that makes me happy. I always struggle with making lists, afraid (ha) to leave things out. Anyway, I've been doing lots of scary-ish research reading lately, primarily about alchemists and their alchemical tricks, for the current work-in-progress. And I'm rereading Stephen King's Danse Macabre for the first time since high school, and finding it just as absorbing as I did then. (In addition to Cybils reading, natch.) I recommend tracking down the November issue of Harper's for Téa Obreht's fabulous essay Twilights of the Vampires: Hunting the Real-Life Undead, a delightful travelogue through Serbia and Croatia to examine the roots of the really old stories. You'll like it.

2) It's my intention to (finally!) finish a draft of the aforementioned work-in-progress by the time we load up the car and drive to World Fantasy on Friday. This is highly doable. And then I can fix it.

3) I like it when friends are on book tour, especially when they come near us. Spent a delightful day in Cincy yesterday with Scott and Justine (and other wonderful localish folks, Scalzi and Megan). And then there's WFC and its horde of delightful types coming up in just a few days. A girl could get spoiled.

4) Apparently the National Book Foundation doesn't believe in fairy tales, at least not as something that qualifies for its awards? Which is crazy. Kate Bernheimer and Marie Tatar are on the case.

5) If I owe you an email, you will get it today. Promise.

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Bring It

Stop playing Fallen London (effing nightmares!) or whatever productive activities you're engaged in immediately. It's time for Dear Aunt G to answer some more questions for the upcoming ish of LCRW. Entrust your burning inquiries to Gavin within the strictest of confidences.

Note: There has been a rash–an outbreak, really–of questions of the, shall we say, meta variety. We can only handle so many of these. Surely you've got a few more specific conundrums to feed the advice-o-tron.

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Spoiler Space

So I'm reading Mockingjay now, and I'm figuring I'll want to say spoilery things verrry soon so feel free to do the same in the comments section below if you want. Which is where I'll put mine. Having trouble finding such discussions and this seems easiest. After all, the talktalktalk after is part of what makes communal reading experiences fun.

(Lovers, haters, skeptics and fools alike are welcome, as long as rules of polite conduct are observed.)

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The Other Kind of Power Ballad

I've posted here before about the importance of playlists in my writing process. And I always love reading other people's playlist posts–it's one of the reasons I like largehearted boy's Book Notes feature so much. It's a particular look through another writer's window, slightly and enjoyably voyeuristic, even though limited to the book in question. Another way of understanding both writer and novel, or just of finding new bands or being reminded about old ones. For my own part, I know a project's taking on life when I feel the need to pause and make the big playlist that I'll listen to while writing, though that playlist evolves along the way. A new draft means a substantially tweaked playlist, usually.

Anyway, I realized this morning that I also tend to find a new song sometime along the way through the draft that I come to think of as the book's anthem. Typically, it shows up right before the last third of the story, and this morning the creepy island book's came blaring out of the car stereo muse-sent from my very own iPod,* a song I'm not even sure I'd ever listened to after I downloaded it. The song is "Kick In Your Heart" by Gliss (which can be heard here, if you like). I suspect I will listen to it a millionty times in the next few weeks.

The anthem is different than the playlist. First, it gets played on repeat over and over again, and usually when I'm consciously thinking about the story, instead of while actually writing. The song tends to conjure strong visualization of big scenes, call up emotion to match, and lead to lots and lots of plot nailing-down. It begins to represent the whole story I'm working toward having told. It becomes the song of the book that will soon be written.

The last book had, I'd say, three distinct anthems: "Golden" by Sister Suvi, "Splintering" by Arizona, and "Golden Children" by Black Feelings (the last was probably the anthem).

What about you guys? Do you do this, too?

*Good thing I haven't quite figured out how to manipulate the contents of my birthday present yet (it's fancier than my old one!), or I probably wouldn't have had the song on there in the first place. Autoload can sometimes be serendipitous.

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Friday Five

I seem to be embracing this random Friday thing after all.

1. If someone nice at St. Martin's wanted to send me an ARC of Jennifer Crusie's Maybe This Time, I'd be very happy about it. It's a take on The Turn of the Screw. I know I could just ask, but this way is better. And it's out at the end of the month, anyway, and it's not like I lack a massive stack of books I can't wait to read. But it'd make me happy to have it NOW and I'd do the post office dance. (In my stack, an ARC of Karen Joy Fowler's short story collection from Small Beer. Major dancing.)Ninasharp

2. We just finished season one of Fringe, a show that I've taken way more of a shine to than I thought I would at first. Which just goes to show something about tastes and assumptions not always being predictable, even when they're your own. I wonder if some of it is Brad Anderson's hand, since most of my favorite episodes are the ones directed by him–in fact, the science fiction of Fringe seems to share a lot in common with the science fiction of Happy Accidents, albeit with a bit more of an overt genre take coloring it. The gonzo humanity of it strikes me as similar though; audaciously, outrageously posited, but narrowed down on individual lives in a way that makes it compelling to go along with, to care about. Also, I am President and Treasurer of the Nina Sharp Fan Club. I don't care if she turns out to be good or evil or sit somewhere in between–I'll still love her. I cheer when she comes on screen. She makes me want to write an essay. Season two doesn't come out on DVD until next month. Boo.

3. Pulling a link to a fascinating story from the comments on the last post since I probably won't do hangovers until next week: Crop Circles on Wall Street, a story about what mapping out traffic at certain times on Wall Street in a certain way shows (nefarious activity). The guy whose spotting the trends names the patterns, which are maybe my favorite part of the story: "Castle Wall, The Waste Pool, Depth Ping, Boston Shuffle, BOTvsBOT, etc." Very science fictional, no? And, hey, if I'm including links, here's one to famous literary last words at the Guardian.

4. Am still playing catch up, but turned in another PW piece this morning, and will do some proofing and reviewing this weekend. I also owe emails, maybe even to you. Maybe you don't even know I owe you an email. But I do. And you will get it soon, maybe?

5. The creepy island novel proceeds apace, which is to say it's clicked back into place and I'm moving ahead. Running seems so hard to me that it must be an apt metaphor for novel writing. My last novel was pretty much a sprint–it never slowed down, just kept coming and I tried to gallop along and keep up with it. (Until revision started, of course.) This one is a marathon, even though it's theoretically simpler than the last (it's a standalone, for one), and I basically paused to take a big breath at the first third mark and–more recently–at the two thirds mark. I'm hoping to finish a draft this month, and am relieved that it suddenly seems doable. For the record, I would much rather write a novel than undertake a sprint or a marathon. I was the girl who faked running the mile to the cheerleading coach, and loathed that the basketball coach actually watched us the whole time to prevent cheating. Plus, after I finish, I get to go down to the place it's set for a last dose of research before revision. And we all know that island means BEACH.

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