Gwenda

Stone Cold

Because this doesn’t happen every day (yet!). Last night, Hemingway stole my tiara.

It’s plastic, and on my desk, and I was typing and all of a sudden he leaps up and grabs it with his teeth and runs away with it while I’m saying, "Give me back my tiara!"

Yes, this really happened.

See also: Previous picture of cat being coerced into attacking tiara. There was no coercion this time. He just took it.

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More Aztecy Goodness

Aztecs(This is a post to skip if you aren’t interested in my obessive ramblings while working on this book. I wouldn’t blame you.)

I’m still loving the hell out of Aztec Dance Tunes. It’s a hard book to write, sure, but aren’t they all? Anyway, here’s a couple of fun things.

I made another playlist, this one with a few of the long songs I wanted to put on the first one but which wouldn’t fit. (I couldn’t get all of them on this one either.) This playlist isn’t necessarily made up so much of songs in which I hear the novel as songs which aren’t off and strike me as good writing background music for this book. Or at least that I think will be. It’s mostly long songs. And a few short ones because. I’m now rotating out the two discs (still Podless, oh wealthy benefactor).

ADT Long Songs #1 Playlist

Scatterheart / Bjork
Car / Catherine Wheel
April The 14th (Part I) / Gillian Welch
Draining The Pool For You / The Go-Betweens
The New Cobweb Summer / Lambchop
23 Minutes In Brussels / Luna (Live)
The Cactus Where Your Heart Should Be / The Magnetic Fields
I Think I Need A New Heart / The Magnetic Fields
Miles Away / Yeah Yeah Yeahs
Fourth of July / Galaxie 500
Your Dirty Answer / Kristin Hersh
Limbo / Throwing Muses
I Dream A Highway / Gillian Welch

In general, the music I’m putting on these is slightly older than what I’m listening to the rest of the time. And I’m recycling several of the same artists — people who have made a great deal of music that I love — maybe because this book is also drawing on all sorts of things I’ve loved for ever and ever and ever. I like the familiarity and also that little buzz you get from hearing something you haven’t been listening to a million times a week already but still love. I’m mostly sticking this one up here because some of you cottoned to the first (and there will be many more, I’m sure, before this sw-et b-tch is done), but also to see what long songs you have to recommend… (Long song = 5 minutes plus.)

And here, as a bonus, is one of the best, grossest bits of my research reading that I don’t plan on using and can’t help but share. I like to call it "The Misunderstanding":

As discontent arose, the Mexica themselves precipitated their own violent departure. Obeying the promptings of Huitzilopochtli’s priests, they had approached Achitometl, one of the Calhua magnates, asking for his beautiful daughter as their "sovereign" and "wife of Huitzilopochtli." Not understanding the implications of this request, Achitometl acceded to the honor; his daughter went to Tizaapan, where she was splendidly arrayed and sacrificed. Following an old custom, the body was flayed and a priest donned her skin in an ancient agricultural rite symbolizing the renewal of life. The unsuspecting chieftain Achitometl, invited to participate in the concluding festivities, suddenly recognized the skin of his daughter on the body of the priest. The outraged Culhua took arms and were joined by others and, in the wild melee of javelins and arrows, the Mexica were once again driven into the reeds and brackish swamps of Lake Tetzcoco.

From The Aztecs by Richard F. Townsend

I know you’re wondering why I wouldn’t use such a spectacular gem. But, you see, Aztec Dance Tunes is funny. It’s not just funny, but it’s supposed to be funny enough that this particular anecdote won’t quite fit. Misunderstanding or no. (Oh, to be a fly on the wall of an Aztec bar.)

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Monday Morning Hangovers

Stuff I (mostly) didn’t get around to linking last week. (And I’m STILL woefully behind on email.)

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Endings

Lying In A Hammock At William Duffy’s Farm In Pine Island, Minnesota

Over my head, I see the bronze butterfly,
Asleep on the black trunk,
blowing like a leaf in green shadow.
Down the ravine behind the empty house,
The cowbells follow one another
Into the distances of the afternoon.
To my right,
In a field of sunlight between two pines,
The droppings of last year’s horses
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.
A chicken hawk floats over, looking for home.
I have wasted my life.

– James Wright (1927-1980)

An exchange between Wright and an interviewer (scroll down):

Henricksen: I wanted to ask you about one specific poem that you read the other night … You talked about the final line, "I have wasted my life," as being, perhaps, a realization that more time ought to be spent lying in a hammock, as I remember.

Wright: Yes, I think that I didn’t realize it at the moment, but looking back on that poem I think that final line – "I have wasted my life" – is a religious statement, that is to say, here I am and I’m not straining myself and yet I’m happy at this moment, and perhaps I’ve been wastefully unhappy in the past because through my arrogance or whatever, and in my blindness, I haven’t allowed myself to pay true attention to what was around me. And a very strange thing happened. After I wrote the poem and after I published it, I was reading among the poems of the eleventh-century Persian poet, Ansari, and he used exactly the same phrase at a moment when he was happy. He said, "I have wasted my life." Nobody gave him hell for giving up iambics. You can’t win.

from Bruce Henricksen, "Poetry Must Think" (an interview with James Wright published in 1978)

(Thanks to Mr. CVR.)

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Busy Bee

Whitefronted_beeeater_268040_1I owe quite a bit of email and feel kind of lousy and am busy, busy, busy.

But do expect a response over the weekend, which will be mostly spent furiously finishing up some reading, reading, reading for the LBC and the Fountain.

(That, over there on the left, is the Whitefronted Bee-eater eating an, um, bee.)

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R.I.P.

David Stemple passed away yesterday. Jane Yolen talks about it in her journal.

I didn’t know David nearly as well as I’d have liked to, but every moment I was around him was a joy. I always thought of David as Indiana Jones, because that was what he was like. On a trip to Mexico, he and Adam braved the wilds of the countryside birding and he looked perfectly like he was on safari. You can see some pictures and listen to some of his bird recordings here. It feels strange to post about this, but it’d feel stranger to have the day pass and not mention it at all.

The world is less without him in it. My thoughts are with his family.

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VeronicaMarsTalk

This week, there will be talk. I can feel it.

“The Quick and the Wed" Wallace’s new girlfriend asks Veronica to find her sister, who appears to be either a "runaway bride" or a victim of foul play.

Bones talk welcome too. Or ANTM, but Chance is a broad abroad, so probably nobody else around here watches wannabe models… right? (I’m exhausted, but tonight is my TV night, damn it! I will watch all three and feel no shame!)

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Better Than iPod

Yesterday, Rarely Likable proposed to memefy this New York Magazine feature wherein Colson Whitehead talks about five books chosen from his bookshelves by the interviewer. She says: If there’s no one nearby to choose books at random, figure out how your bookshelves/piles are divisible by five. Go to each one however many times as needed. Close eyes, spin around a couple of times (I’m totally serious about that part, it’s necessary) and touch a book. Be right back with my own results. (You can see her excellent results at the link above.)

This seemed like a great fun idea, so I made Christopher randomly choose some books for me. (Miraculously, he didn’t come up with all weird little nonfiction books.) And they are:

Goodbye, Little Rock and Roller by Marshall Chapman – I discovered Marshall Chapman by way of a Bob Edwards interview on Morning Edition. Which is geekily appropriate, since one of the things that defines Chapman’s cool is these flashes of nerdiness (some spirituality stuff) or bad taste (touring with Jimmy Buffett). But the thing is, Chapman herself is such a magnetic personality that you really don’t care if sometimes her songs get a little bit twee — the ones from the ’60s are hard core (see, er, hear "Rode Hard and Put Up Wet") and, in fact, I bet she could still set them up and knock them down with the best. Anyway, her anecdotes are fabulous and that’s what this book is, and what she was promoting on ME. But they’re actually funnier from her. So I’d recommend the book, sure, but only after you’ve listened to the interview (with outtakes) and heard her rap in Middle English. We went to see her read and play a few years ago and this is part of what I said then:

The guy who Marshall went out on her first date with at Vanderbilt showed up before the reading, got a book signed and left. He had on leather tassled loafers; freaky. Another couple in the audience had met Marshall in Switzerland in the late ’60s and had the pictures of her sleeping on the floor to prove it. Marshall asked them politely, "You know we had forged Eurail passes, right? They were forged. They caught up with us in Italy."

How can you not love this woman?

The Panic Hand by Jonathan Carroll – Ha. The first time I read Jonathan Carroll, I was in high school. I lucked onto a copy of Bones of the Moon (which I still think is the one of his novels you should read first) at our Usually Doesn’t Have a Great Selection of Fiction local miscellany/bookstore Sqecial Media. I had heard of Jonathan Carroll, had heard friends from far away talking about how wonderful his writing was. I spent the next few years combing bookstores, used and new, for Carroll scraps, without any more luck smiling on the search. I don’t know if Amazon didn’t quite exist yet or I just didn’t use it then; probably a little of both. I think I’d finally managed to find another of the novels remaindered (From the Teeth of Angels), but the short story collection, The Panic Hand, eluded me. Anyway, in college, I drove up to Chapel Hill for a weekend visit to my friend Blair. Blair was a VW mechanic, among other things, and had this excellent house and this excellent dog, Samantha, and it was a good weekend. The night I arrived, he talked me into town via cell phone, to the bar where he was. We proceeded to traverse streets and bars late into the night. When we got back to his house (by taxi), I discovered he was in possession of a number of our mutual friend John’s books (John had recently moved elsewhere). I dug around in the boxes, drunkenly, and found The Panic Hand. Oh happiness! I was so smashed I had to close one eye to make the lines stay steady while attempting to read it. Needless to say, I got a lot more out of it the next day, even with the terrible hangover. I eventually picked up a copy, probably at Dreamhaven or another specialty store. I had occasion to pull it out not too long ago and reread one of my favorite Carroll stories, "Friend’s Best Man," because someone in the writing class turned in a similar story. I also ended up rereading "Uh-Oh City" and "The Panic Hand." They held up beautifully. Oh, I love this collection.

The Daughter of Time by Josephine Tey – I love this novel quite a lot, but I don’t have as much to say about it. I picked this one up circa mid-90s when I was trying to read more mysteries (I also read a lot of Raymond Chandler and Dashiell Hammett that summer). The most vivid memory I have of reading it is being in my parents’ big jaccuzzi tub with some sort of really stiff clay face mask on (which did nothing except create a kabuki effect and dry out my skin). I read all her books that I could get my hands on in short order, but this one’s my favorite. (Man in the Queue was the only one that disappointed me. I should probably give it another try.)

A Hammock Beneath the Mangoes, edited by Thomas Colchie – I bought this at Hawley-Cooke Booksellers in Louisville on a "class" field trip when I was at Governor’s School for the Arts in 1993. It has a truly great TOC (do a find for Hammock). These stories were the genesis of my love affair with Latin American fiction, and even in a sideways fashion led me to Eduardo Galeano (author of what on many days is my favorite book in the world, The Book of Embraces). When we got home from GSA, I photocopied the second story, Julio Cortazar’s "Axolotl," and mailed it to several people from our class that I felt could not live another moment without reading it. That story still knocks me out. To say that this anthology changed who I was as a person, a reader and a writer would not be overstating it. One of my dirty little secrets as a reader of SF is that I started out reading wayyyyy more of it in translation from other parts of the world or from the "literature" section, labeled all respectable. I didn’t care about respectablility, that’s just how it happened. Every now and then I reread a story or two from Hammock and think about writing an essay about it. Or a review to try and bring it some rediscovery. I would be oh so happy if a bunch of people respond that they’ve already read it (but only if you LOVE it!!!).

KristinrichardTrue Thai by Victor Sodsook – Oh happiness, again. And a fitting fifth book. This book was a present to us from Richard and Barb, following the first magnificent Thai Thanksgiving, which necessitated us taking this book out from the library. Our Thanksgivings are all about our family of friends and the new trappings Gloriousingredientswe’ve given the holiday. Mostly, this involves me (and Alan!) drinking and taking pictures of the action in the kitchen. The action in the kitchen starts way before the big meal, with the making of index cards for each ingredient and for each dish, detailing every step to perfection. The riot of cooking begins, with ingredients being handed off according to card, and more drinking. The result is always wonderful.

Now you.

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Cheers!

Last Itzkoff-y post ever (or at least until he sins again). Curtis Brown agent Ginger Clark responds in a letter to the NYTBR (scroll to fourth letter). It’s a thing of beauty:

More disappointing, Itzkoff’s reading list, which appeared on the Web, contains only two works written within the last 15 years and not a single one by a woman. Where are the novels of Ursula K. LeGuin, Lois McMaster Bujold, Alice Sheldon (a k a James Tiptree Jr.) and the recently departed Octavia E. Butler? I very much hope he has read ”The Left Hand of Darkness” and ”The Parable of the Sower.” And will Itzkoff ever touch on fantasy in his column? Or are those books even more humiliating to read? I’d better hide my George R. R. Martin and Gene Wolfe right now — someone on the F train might think badly of me! Please, Book Review: There is nothing wrong with science fiction.

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