Gwenda

Tuesday Hangovers

  • Am slightly panicked having just realized that it’s T minus not very long until we have to be packed and ready to go for Wiscon (arriving late Thursday, more on that later). The laundry must be done (and the desmoking of last weekend’s jackets), the house must be cleaned, the dog and cat must be cuddled, etc. Oh yeah, and there’s deciding what the hell to read.
  • It’s Yannick Murphy Week over at the LBC where discussion is flying back and forth about one of my most favorite books this time, one Here They Come. Do check it out. I’m tardy to the discussion but will be over there directly.
  • The lovely Kassia of Booksquare has a most brilliant post on whether authors should attend BEA. Join me in envying her smarts.
  • An interview with Lynda Barry (audio). (Via Austin Kleon.)
  • Lauren Cerand (the one, the only) has a piece up at Moleskinerie (how did I miss this booth?). All I got was a few of those great Chronicle Books notepads.
  • Aussie-focused litblog Matilda has a great round-up of the reaction to the brilliant Sonya Hartnett’s unmasking as the author of a new erotic novel, which um, doesn’t sound all that great.
  • Maud Newton’s drool-worthy interview with Rupert Thomson.

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Say… What’s the Combination? Update

Well, the bad news is that Say… what’s the combination? won’t quite debut at Wiscon owing to insanity-based production delays. But.

It’s going to be great. Best. Issue. Ever. And it’ll be out in a monthish. Subscribers will get copies then and we’ll hopefully get some copies to Readercon.

Here’s the TOC.

Stories:
"Leap" by Hannah Wolf Bowen
"New Practical Physics" by Matthew Cheney
"Into the Woods" by Marguerite Croft
"A Yarn of the Heat Tailor" by Earl P. Dean
"Do What You Desire" by Elad Haber
"The League of Moon Ladies" by Meghan McCarron
"The Bone Key" by Sarah Monette
"Known Forms" by Melissa Moorer
"A Key Decides Its Destiny" by Cat Rambo
"Nutmeg and Limestone" by Sonya Taaffe

Poems:
Four visual/concrete poems by mIEKAL aND
"Mary Shelley’s Surfboard," poem suite by Joe Safdie

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Scattershot BEA Report

Where to start?

I forgot to take a camera.

I knew going in that with only a day and a half of BEA time, there’d be a lot of people I’d regret not getting to spend more time rapping with — and I was right. In this category place nearly all the litbloggers on hand, Cecil Castellucci, Anne Ishii of Vertical, the hilarious M.T. "Tobin" Anderson (who has excellent socks) and a ton of other people, some of whose names I don’t even remember. Then there were people I got to spend a decent amount of time chatting with, but still greedily wish there’d been more; in this category, find the divine Ms. Pinky, style goddess Lauren Cerand, Matt Cheney, Max of the Millions, Holly and Theo Black (Wiscon!), Ed Champion (if not Mr. Segundo), etc. But, honestly, it felt like a week! Here I sit with a hoarse throat (more on that) and happiness to be home. Some things about BEA, in numbered list format, at least until that proves unsustainable.

1. Wandering the floor at BEA what I most felt like was a shoplifter. No, seriously. You’re just kind of meandering through crowds and grabbing books and stuffing them in your bag. At the big publisher booths, I even found myself avoiding the eyes of some of the booth workers. I am stealing from you, I thought, why don’t you stop me?

2. Why doesn’t D.C. have a smoking ordinance? I’m still talking like a husky-voiced man from all the loud, smoky bar time.

3. I think the publishing industry should be run more like Wiscon. Bake sales would seriously improve things.

4. That said, scary suit people aside, the vast majority of people were knowledgeable, nice book people. It’s a trade show, basically, so you have all these niche ghettos all over the place, but well, it’s a trade show, so of course you do.

5. Where was the SF? Basically, the pimpin’ stylin’ Jeremy Lassen of Night Shade Books was the only one to represent. The major publishers had a barely (if) there presence in support of fantasy and science fiction. In fact, I’d go out on a limb and say that it was the least-represented of any of the main genres that have their own little section in the bookstore. Disappointing and I fear self-perpetuating of the flattish sales and fear of the "state of the field" everyone always talks about.

6. One thing that BEA did do usefully was provide a big fishbowl example of word of mouth in motion. Everyone talks to everyone about which galleys to get, which booths are good, who’s signing when, which covers are terrible and books are absentee. I’d wager this is the most effective part of the show in terms of creating the much-coveted "buzz" about a book. It certainly seemed to impact which ARCs went more quickly than others. Of course, my sample size is small. But when you have to think about how to get two boxes worth of books home, you want the books to be good. I’m sure there are people who just grab everything, but most people I saw were being uber-selective.

7.  Speaking of which, Kelly and Gavin are being nice enough to get my books to Wiscon next weekend so I can’t post a list of what I got. The ones I brought home to read in the meantime were: John Green’s An Abundance of Katherines (so, so good! and such a pretty cover!); Tobin Anderson’s highly recommended The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume One: The Pox Party; Ysabeau Wilce’s also highly recommended  Flora Segunda: The Magickal Mishaps of a Girl of Spirit, Her Glass-Gazing Sidekick, Two Ominous Butlers (One Blue), a House with Eleven Thousand Rooms, and a Red Dog; and Scott Westerfeld’s continuation of the Peepsverse The Last Days. Which I now realize are all YAs. In fact, there were a great deal of excellent YAs available. But I got lots of Books for Adults too.

8. Got some info on the Vermont College low res MFA program in YA/children’s writing from people in the know. I’m applying. Don’t tell anyone. (Vermont people, send me more dirt.)

9. I think I was lucky to not feel untethered and overwhelmed by the hugeness of things (though seriously, a trade show for anything is huge, right? I expected it to be bigger!), because Kelly and Gavin and Alan were there and so it felt a bit like a family reunion and familiar. The Super 8 we shared a room at was AWESOME and by that I mean an awesome topic of conversation. Craig Gidney informed us that the rooms are rentable by the hour. The clerk sits behind bulletproof glass. On Saturday night I skipped out earlyish (midnight), leaving the others to the PGW party so I could grab four hours of sleep, and there was an honest-to-god motorcycle gang zooming past for the first hour I tried to go to winkland. (And when Matt Cheney and I were getting our books signed by Tobin Anderson he asked me how the room by the hour was and the other people in line looked very confused.)

10. Alan DeNiro debut rock star, represent! Seriously, guys. He went through two and a half boxes of books at his signing on Friday. It was many kinds of excellent.

11. People in the rest of publishing drink even more than SF people do, but they don’t seem to actually eat anything. It’s insane.

12. The prom at the Hyatt YA drinks night on Friday was the absolute best, best, best-dressed prom ever. Seriously. Made my weekend. Even the pregnant girls were super-styling. Trust Cecil to inadvertently provide such fine entertainment.

13. Tom Doyle is a stand-up guy. He got us bottled water. (No bottled water at the Super 8. Or irons (you could burn a hooker with that). Or hair dryers (um). But it had a great shower(yeah).)

14. I got to meet several of the people I interviewed for my little PW Show Daily pieces (it’s the newsletter Publishers Weekly hands out free at BEA) and they were all exceedingly nice. Janis Cooke Newman happened to be signing copies of Mary when we wandered by the MacAdam/Cage booth and was pleased her son was mentioned (after all, it’s not every kid who’s obsessed with John Wilkes Booth and manages to serve as inspiration for both a memoir and a novel). The Soho Press folks reminded me about their cocktail party and I snagged a couple of squirt guns and ARCs from them.

15. The publicists I met were all wonderful and since they don’t get enough praise… Let us all recognize the extreme excellence of Unbridled Books‘ Caitlin Hamilton Summie, who talks about books as intelligently as anyone I know and always tries her best to target books to individual bloggers’ tastes. (And they have some great-looking books on the way.) Coffee House Press publicist Molly Mikolowski was also fabulous — and the publisher (I believe) told me he thinks litblogs are an unqualified good thing for the book world (plus, they had gummi rats at their booth!). And MacAdam/Cage’s Julie Burton is great too. There were lots more.  Sing their praises.

16. The first things I saw at BEA were: Helen Thomas (I shook her hand while buying a much-needed emergency sandwich (see # 11)) and a sevenish-year-old kid dressed in a tailored suit followed by his dad in the exact same adult-sized version of the suit sans the kid’s red ribbon that said Author.

17. Dogs are hot. Really hot.

18. I love you all. Goodnight, Washington!

p.s. Panels? I didn’t go to no stinking panels!

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I Think It’s Over…

Did I survive my first-ever BEA? Seems that way. Only a good night’s sleep will bear it out for sure.

At the moment, I’m too busy lying to the cat and dog about abandoning them again next weekend to formulate a real post: tomorrow. Also, I’d rather be reading my most-coveted ARC snag of the show, John Green’s An Abundance of Katherines*, which you probably are not reading: sucker!

*So very good!

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I’m Late, I’m Late

WhiterabbitIt’s true — it seems like everyone else is already at or on their way to BEA. I’m proudly representing the community of stragglers. I wing out early tomorrow morning and arrive mid-afternoon, or just in time to see a few people and grab a bite before the party hopping begins. (I’m bringing my pogo stick and my magic wand.) (Not really; too hard to explain to airport security.)

Anyway, I hope to see those of you who are/will be there when I get there. I’m not making any promises about blogging while away, though at this point I’m leaning toward taking a laptop. That could change if I need the room to pack my cowboy boots. So either back soon with BEA reports or back Sunday evening with BEA reports. (I’d bet on the latter.) Good weekends all.

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Monkey See, Monkey You

Fascinating new data from the Human Genome Project:

According to the new theory, chimps and humans shared a common apelike ancestor much more recently than was thought. Furthermore, when the two emerging species split from each other, it was not a clean break. Some members of the two groups seem to have interbred about 1.2 million years after they first diverged — before going their separate ways for good.

If this theory proves correct, it will mean modern people are descended from something akin to chimp-human hybrids. That is a new idea, and it challenges the prevailing view that hybrids tend to die out.

It also strongly suggests that some of the oldest bones of "proto-humans" — including the 7 million-year-old Toumai skull unearthed in Chad in 2001 — may have belonged to a line of non-hybrids that died out, and were not human ancestors at all.

Look out Kansas.

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Wednesday Hangovers

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Tuesday Hangovers

  • John Green delivers an excellent review of Markus Zusak’s The Book Thief in the NYT, which pretty well captures exactly how I felt about it. And it’s a beautifully written review too. I wish more reviews were as thoughtful about how a book interfaces with the writer’s work that came before.
  • Glen Hirshberg’s World Horror Convention post cracks me up in parts (and is also an excellent encapsulation of why conventions can be very good things for writers): By Friday afternoon, twelve hours after my arrival, I’d learned once and for all that vampire poets do age, many of them gracefully, and that their joy in gross-out contests and amateur film premiers is genuine and generous. I’d seen the Dark Scotsman: black kilt, black tartan, red hair, burr that could cut chainmail. He was new.
  • Megan at Bookdwarf asks for some opinions on this Slate article which basically says shopping at independent bookstores is for poseurs and hipsters. People, what is with the indie bashing? I don’t get it. Why is this fashionable to criticize? If every local coffee shop and arthouse movie theater in America was in danger of closing, I doubt the reaction would be to praise the chain competitors that are exacerbating the situation and criticize the local establishments. (And no, I do not think that chains are inherently EVIL; I think they are inherently impersonal and therefore unable to deliver certain things that are important to me. But yes, they are useful and have their place too.) Anyway, drop by at Megan’s and say your piece.
  • Re: the whole discussion about music, race and dismissal last week, Ben Bova thinks kids today are killing the symphony with their craptastic musical taste. It’s, er, interesting to see someone embracing such a classic geezer stereotype as "kids these days." One of our good friends conducts the local youth symphony; I’m guessing as long as such institutions exist, some kids will be exposed to classical music. I’ll have to ask him if he thinks the symphonic scene will be dead in a generation. Somehow, I find it doubtful he’ll say yes. My own theory is that as long as there are really wealthy people, there will be symphonies. Not that symphonies are only for the wealthy, but let’s face it, they write the checks. (Via Scalzi.)

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Refusing the Call, or Devices of Potentially Limited Use

I don’t believe in observing all the "rules" of storytelling all the time, but when I become aware I’m breaking one, or decide to break one, I do like to acknowledge it and think over why I’m making the choice and whether there’s a trade-off and if it’s the right choice/trade-off for the story. I want to throw out something I’m thinking about, but not have the discussion really be about rules and conventions, per se; I want to talk about this specific one.

So.

One of my very least favorite things in a quest narrative (or, if you want to be all prissy and Campbellian about it A Hero’s Journey) or any sort of story where the protag has to take up a torch of some kind is the initial "refusal of the call." So often, it strikes me as story water-treading. I, as a reader and audience member, know the call will be accepted. If the call’s not accepted, then there’s no story. The reasoning for the refusal often becomes perfunctory for just this very reason.

Romantic comedies are the worst offenders, or one of the worst anyway, in that the resistance is sometimes silly and sustained for wayyyyy too long. But that’s not really a quest narrative in the way I’m talking about it here, unless you view the romance as the quest, which would really make it an incredibly lame quest. I think of quest, I think Big Stakes and Personal Stakes, not just one or the other. I’m pretty sure you’ll instantly know the kind of story I’m talking about.

I’ll say again. I hate that refusal to the call business, at least when it’s given more than an inch of space. I’m thinking about this because Aztec Dance Tunes is a quest story. I don’t want to get too far into the details, because I’m not ready to talk about them yet, but for the sake of clarity there is a girl and she is given a huge, impossible task with huge, impossible stakes if she screws it up. And I think she can skip this step, the refusing the call step.

Because I think a character can be reasonably expected to know when something like this falls on top of them that there’s no easy way to get out from under it. I think it’s believable emotionally for a character to think, "Yeah, got hit by that. Even I know I have to do this now." And there can still be all the rational fear and doubt and why me? of it, but the story doesn’t stop for this step. I might also say that this particular character has been around some pretty weird things and is a reader (in other words, she knows how stories go) and whip-smart.

Why I bring this up is that you are a pretty savvy lot of readers and I want to see: Do you feel like you do need this step to buy into a character taking on a quest in a narrative like this? (And yes, I realize that execution is everything and there are no details here; it’s not something I’ll hold you to!) Or are you impatient with this dithering step too? Discuss.

p.s. I promise, swear, cross my heart and stick pins and needles in something nearby, that I’ll catch up on email before I leave for BEA. Because after that, comes Wiscon, and after that, sleep. So if I don’t answer now, there will be no answering!

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