Gwenda

The Best News Ever Hits the Street

Stolen shamelessly from Sarah, who thinks it sounds awesome:

David J. Schwartz’s SUPERPOWERS, dubbed "The Incredibles" meets THE AMAZING ADVENTURES OF KAVALIER & CLAY, in which after a night of heavy drinking, five friends wake up to discover they have superhuman abilities, but lacking super-villains they find that the ramifications of their new powers are more complicated than they anticipated, to Jason Pinter at Three Rivers Press, by Shana Cohen at the Stuart Krichevsky Agency (NA).

I have no doubt it will be. Yay, Dave! (And Shana!)

Here’s a link to his story The Lethe Man, which is one of my favorite stories that we’ve ever published in Say… And his bibliography has links to more stories online.

Again with the YAY!

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Literary Rats

Over at the LitBlog Co-Op Ed talks about why he nominated the latest Read This! selection: Sam Savage’s Firmin. (This is a charming, thoughtful little book* that was pretty much neck and neck for my affections with nominee Manbug, which Matt Cheney will post about on Wednesday, I believe.) And it comes from the truly awesome Coffeehouse Press. So, check it out.

Something else about this round’s books? There’s only three, as there will be in every round from now on, and they’re all short, which may never happen again.

*I first suspected I’d like it when I noticed Karen Joy Fowler blurbed it. I make it a habit never to quibble with Karen’s taste.

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Sunday Hangovers

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One Song: “Human Behavior”

"Human Behavior," The Decemberists – So, yeah, I’m basically trying to annoy you with this one. This bangy little track combines two things which drive some people beyond the crazy and which are like champagne and dark chocolate for the rest of us: Bjork + The Decemberists. Enjoy. Or feel angry. Your choice.

Download thedecemberistshumanbehavior.mp3

p.s. Louis-villains, don’t forget the reading. Come out, come out, come out! Happy Friday the 13th, everybody. Good weekend.

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Soundtracks, Lives, On Random

Because I’m not in the mood to do a real post, a long musical-type thing stolen from E Bear.

IF YOUR LIFE WAS A MOVIE, WHAT WOULD THE SOUNDTRACK BE?
So, here’s how it works:
1. Open your library (iTunes, Winamp, Media Player, iPod, etc)
2. Put it on shuffle
3. Press play
4. For every question, type the song that’s playing
5. When you go to a new question, press the next button
6. Don’t lie and try to pretend you’re cool…

The results behind the cut…

p.s. Since I just started putting stuff in iTunes a couple of months ago, there’s gonna be a lot of recent stuff. I’m still being honest. Promise! (Our huge music library from our converting CDs digital is on the external hard drive and I haven’t moved any of it over yet.) But this is all stuff I’ve been listening to lately.

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Oh, Black Friday the 13th

Tomorrow, the final installment of Lemony Snicket’s Series of Unfortunate Events books hits the streets. The Washington Post asked 13 fans how they think it will end. Half think happy ending, half think dark as night. The results are charming:

"The series will end with Mr. Snicket writing two endings to the book. One of the endings will be happy, and one of the endings will be sad. Mr. Snicket will say something like, ‘If you like happy endings, read the next chapter, and if you like sad endings, read the chapter after the happy ending.’ " — Henry Brandmark, 12, Vienna

"Olaf and the orphans travel to a remote island and miraculously find the orphans’ parents. The Count tricks them into letting him have their money in exchange for their children. But then he kills the parents anyway and escapes in a boat, leaving the murder weapons behind. Soon some fishermen arrive, see the dramatic scene and assume that the orphans killed their parents. The children are sent to jail and live miserably ever after." — Alexander Kopenhaver, 12, Arlington

The sweet thing is how most everyone wants some sort of happy ending. Oh, woe, that is so not what these books are about–but a kid can dream.

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File Under, Research I Can’t Use

Awhile back I posted a gross yet interesting thing from my Aztec Dance Tunes’ research that I couldn’t use. Here’s another remarkable tidbit of unusableness from an interview with Christopher Faraone about Ancient Greek love magic:

The other thing that struck me about these spells is that they are used by men to inflict great pain and suffering on women, but the men want the pain and suffering to stop when the women arrive at their door. Thus a common formula reads something like this: "Burn, whip, torture the heart, the liver, the body of Ms. X, until she leaps from her home and comes to me, Mr. Y." The assumption of the users of these spells is that these women are not going to make love to them or even look their way unless some supernatural torture is applied to them to force them to come. One of the ideas that I explore in my book is that you have the same kind of assumption and the same application of force in a certain type of marriage in the Greek world called bridal theft, or abduction marriage, a form of kidnap or elopement that was still practiced in Greece and the Balkans even in the 1950s. In more traditional places where a man was interested in a woman and there’s no way for them to get together–maybe she’s from a higher socioeconomic bracket–he might get a bunch of his buddies together and kidnap her. In some cases, however, he might do this with the tacit agreement of her parents, who might be glad to forgo the expense of a wedding or a dowry. There is not enough evidence for me to actually prove this, but I suspect that erotic spells were a kind of supernatural form of abduction marriage. That’s the sociological frame, but when you’re working in the ancient world there are no certainties because we don’t have a lot of good evidence even for this kind of marriage.

Of course, maybe I’ll use some of it in the next one… in which I will definitely be modeling the heroine’s father sorta, kinda on Professor Faraone himself. An idea of great joy.

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Wednesday Hangovers

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