VeronicaMarsTalk
Yeah, I know we’re all watching returns, but we’ll need a break. Tonight’s ep:
Hi, Infidelity. Veronica (Kristen Bell) is accused of plagiarizing her paper for Professor Landry’s (guest star Patrick Fabian, "Joan of Arcadia") criminology class. In trying to clear herself, she discovers that her mentor is not who she thought he was.
Wallace (Percy Daggs III) is pardoned by Dean O’Dell (guest star Ed Begley, Jr., "Arrested Development") for cheating on his exam, but makes a decision that could affect his college career. Piz (Chris Lowell) invites Veronica to a night of bowling and she decides to bring Logan (Jason Dohring) and Parker (Julie Gonzalo), unaware Piz wanted the evening to be more of a date. Enrico Colantoni, Ryan Hansen, Francis Capra and Tina Majorino also star. Michael Fields directed the episode written by John Embom.
Wake Up, People
If you’re looking for some appropriate reading material for Election Day, I suggest David Levithan‘s Wide Awake. It’s an excellent, zippy, funny, insightful and above all else political YA novel set in the a (sort of distant but) not so distant future Here’s a snippet from the opening (longer excerpt here):
"I can’t believe there’s going to be a gay Jewish president."
As my mother said this, she looked at my father, who was still staring at the screen. They were shocked, barely comprehending.
Me?
I sat there and beamed.
p.s. Hunter S. Thompson fans may want to check this out (note: not pretty), but a rousing post. Sentiment heartily agreed with. Although, I think you’re allowed to complain no matter what. It’s in the Bill of Rights.
Last GG Woe
Writing in the NYT, Virginia Heffernan nails the badness of Gilmore Girls this season:
For all these years, Lorelai in “Gilmore Girls” has been painful and surprising and exciting to watch — a marvelous high-wire act. How cruel that the new writer of the show wants to rub her face in conventionality, strip her of the speed that was her reason for being and transform her into another banal television lead.
The whole piece is great. Now: Go VOTE. I’m heading there now.
Note to Airlines: You Suck
Delta just completely changed my entire itinerary to Vermont in January and, you guessed it, not for the better. Grrrrrrr. I guess I’ll call Orbitz and try and get it handled. And the airlines wonder why people hate them. Suddenly very glad I booked to arrive there a day early.
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This Just In
Encouraging, yes? From The Watcher (where, natch, I get all my TV info these days):
There’s a bit of good news regarding “Veronica Mars.” According to a source at the show, the Tuesday-night CW drama has received an order for three additional scripts, and directors have been hired for those scripts. As is standard with most TV shows, “Mars” got an initial order for 13 episodes in the spring, when it was picked up for a third season. However it is not yet known if “Mars” will get the additional episodes it would need to fill out a 22 episode season, or the “back nine,” as its called in TV parlance. The CW is expected to make a decision regarding back nine for “Veronica Mars” this week.
Dreaming Oddities: “Map of Dreams”
In his lovely introduction for M. Rickert’s debut story collection Map of Dreams, Chris Barzak shares an anecdote from a letter about process she wrote him. She said:
And, I had forgotten this, but in about fourth grade, fifth grade? I don’t know but I was young, and basically fairly unpopular and a skinny, cross-eyed girl with cat-eye glasses and I wrote this story that I decided to perform for the class as a monologue. So the whole thing is about how nobody likes me or plays with me and I don’t know why, and how alone I am, and how I try to fit in. The last line is something like, "Then she turned and walked away dragging her tail behind her."
So I’m the girl with the tail. One of the hardest parts of my life as a writer was figuring that out.
And if that doesn’t make you want to read this collection more than anything else I’m going to say, well, what’s your deal?
Mary Rickert is one of the best short story writers working today. The first story of hers I read was "Bread and Bombs," side by side with a George Saunders story, "The Red Bow," exploring similar thematic territory–her story more than held its own. (Yes, I know technically Ben’s "The Valley of the Giants" separates them, but I’d already read it.) I thought: who on Earth is this writer? Which is what Chris says he also felt when he first encountered Rickert’s work. I have a feeling there’s an army of people (small, but growing) out there with similar stories. "The first time I read an M. Rickert story, I sat up and said, Who is this amazing writer and where did she come from?"
So, the collection. It collects all sorts of her fantastic (in multiple senses of the word) previously published stories–I’ll particularly recommend here "Bread and Bombs," "Cold Fires," "Anyway," and "Leda." But there aren’t any bums in the lot; there are stories I don’t love as much or that maybe don’t rise to quite the same level, but every story in the bunch is worth reading. Every story is thoughtfully, beautifully constructed and has something specific to say. Often collections can have a samey quality that undercuts them; by the same token, you want a collection to feel unified. Each story here is different, its own thing, but Rickert’s voice unites them. Concerns echo, but don’t repeat.
I’ll finish by saying that the title novella, published here for the first time, is as wonderful as anything else Rickert has written. Novellas frequently seem awkward to me. Often, they seem like fat short stories, plump on extraneous detail. Or, conversely, like too-short novels, with the story smushed and abbreviated, thinned out. "Map of Dreams" feels just right. As if it could never have been anything else, as if there’s not a stray word in it. It’s such a satisfying story. A woman witnesses her daughter murdered by a sniper, then discovers she might be able to travel back in time to change things through an intersection of physics and the Aboriginal Dreaming. Her journey is fascinating and surprising, and the combination of odd elements never feels forced. It would be worth buying the collection just for this.
And, more than that, it makes me want a novel from Rickert so so so badly. In fact, I’d try to start a Make M. Rickert Write a Novel movement, except her bio says she’s already working on one. I could start a Make M. Rickert Finish Her Novel movement instead, but you don’t want to rush a writer like this. The wait will be worth it.
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Monday Hangovers
- I would so be friends with the Bigfoot professor if I were on the faculty at this school.
- Editor Cheryl Klein has put up the text of a speech, complete with aids, giving detailed advice on analyzing and revising your novel based on her own techniques. (Via the fabulous Lisa Yee, whose forthcoming So Totally Miss Emily Ebers is one of the examples Klein uses.)
- Ron Charles has mixed feelings about Kelly Braffet’s new novel, Last Seen Leaving; anyone read it yet? I loved Josie and Jack.
- A November playlist from Tito.
- Tree chairs and sculptures. Wow.
- Also over at the Endicott blog, Helen Pilinovsky on Delia Sherman’s Changeling, which I’ve been hearing excellent things about.
Finally, A Good Magic Movie
I thought The Prestige was wonderful — meticulous in detail and technique and sophisticated in its con game. (C and I both saw through the major plot points — neither of us having read Priest’s book — early on, but the beauty of a trick, like so many things, is in the process, so long as the end holds together. Here it mostly does.) Plus: Hugh Jackman. It’s so nice to see him in a role where you can tell just how good he is. Bale acquits himself fine, but Jackman manages to define each different version of himself subtly, most markedly with his double. And he seems effortless, a rare natural actor who can perform equally well on film and on stage. I’ll say no more to avoid spoilers for those who haven’t seen the movie. But, as someone who loves, loves, loves magic, I tell you to go see this, without reservation. Tesla!
It was one of the most enjoyable two hours at the movies I’ve had in a long time and made me want to see more of them in the theater (and in general). It made me want to see a movie every week. Even the previews we had were interesting (especially the Emma Thompson/Will Ferrell movie — I will SO see Stranger Than Fiction). Next up are probably The Illusionist and Renaissance (looks beautiful), not necessarily in that order. Other recommendations? (No war movies, please; just a preference, don’t try to change it.)
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World Fantasy Award Winners!
And what an interesting year it is! Via Locus:
LIFE ACHIEVEMENT Stephen Fabian and John Crowley
NOVEL Kafka on the Shore, Haruki Murakami (Harvill; Knopf)
NOVELLA Voluntary Committal, Joe Hill (Subterranean Press)
SHORT FICTION "CommComm", George Saunders (The New Yorker 1 Aug 2005)
ANTHOLOGY The Fair Folk, Marvin Kaye, ed. (SFBC)
COLLECTION The Keyhole Opera, Bruce Holland Rogers (Wheatland Press)
ARTIST James Jean
SPECIAL AWARD, PROFESSIONAL Sean Wallace (for Prime Books)
SPECIAL AWARD, NON-PROFESSIONAL David Howe & Stephen Walker (for Telos Books)
Judges for this year’s awards were Steve Lockley, Barbara Roden, Victoria Strauss, Jeff VanderMeer, and Andrew Wheeler.
All in all, no way to really argue with any of these even if I was pulling for different horses in some of the races; CommComm was one of my fave stories last year, Kafka on the Shore’s a beautiful novel and Joe Hill rocks. Congratulations, all. And now, let Bittercon resume for those of us not in Austin.
p.s. Scalzi points out the winners are all men this year. I noticed that too and went browsing through the history of winners. I got to 1994 before I found an all-male fiction year, and even so, there were female winners on the anthology editing side. (Note: I was browsing, so I could have missed something.) I figure this is a fluke year in an award with pretty decent gender equity (in recent history, anyway).
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