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Books 4ever

Back with more tomorrow, or possibly even later today, but for now a pointer to James Gleick's wonderful essay in the New York Times about books and obsolescence and the Google Books deal (which he helped negotiate):

As a technology, the book is like a hammer. That is to say, it is perfect: a tool ideally suited to its task. Hammers can be tweaked and varied but will never go obsolete. Even when builders pound nails by the thousand with pneumatic nail guns, every household needs a hammer. Likewise, the bicycle is alive and well. It was invented in a world without automobiles, and for speed and range it was quickly surpassed by motorcycles and all kinds of powered scooters. But there is nothing quaint about bicycles. They outsell cars.

Of course, plenty of other stuff is destined for obsolescence. For more than a century the phonograph record was almost the only practical means of reproducing sound — and thus the basis of a multibillion-dollar industry. Now it’s just an oddity. Hardly anyone in the music business is sanguine about the prospects for CDs, either.

Now, at this point one expects to hear a certain type of sentimental plea for the old-fashioned book — how you like the feel of the thing resting in your hand, the smell of the pages, the faint cracking of the spine when you open a new book — and one may envision an aesthete who bakes his own bread and also professes to prefer the sound of vinyl. That’s not my argument. I do love the heft of a book in my hand, but I spend most of my waking hours looking at — which mainly means reading from — a computer screen. I’m just saying that the book is technology that works.

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Nice Profile

The Washington Post has an excellent, fairly lengthy profile piece of M.T. "Tobin" Anderson, talking about the Octavian books but also his others:

"It's insulting to believe that teens should have a different kind of book than an adult should," says the author of "Feed" and, most recently, "The Astonishing Life of Octavian Nothing, Traitor to the Nation." Teens like challenges, he says. They know the world is complicated, and "they can tell when a book is simplifying life."

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Tuesday Hangovers

  • I've broken out the Zicam spray, to stave off burgeoning cold but probably allergy-type stuff. Headachey. Could it be all that painting? The couch beckons, but sadly we must wait for Netflix to provide the next Life season one disc before the marathon can continue. All will be wellness by Thursday night when company arrives.
  • Go out and welcome Chris Barzak's second novel The Love We Share Without Knowing into the world–I hear it makes a great holiday gift. I can't wait to read it. See also: Chris does The Big Idea at Scalzi's joint.
  • Gavin has the good links, about Couch events and Kelly Link being interviewed by Lizzie Skurnick in a couple of weeks.
  • Christopher likes to map stuff, particularly stuff related to outlandish stories.
  • John Green's ALAN speech. It's a great speech (and not just because it touches on some of the same themes as my graduating lecture, either, though it will be nice to quote): "Too many times, we say to our young people, “Hey, read this. It’s a fun read. Not too serious, you know. None of that English stuff.” As if there is some kind of dichotomy between good and fun. As if Gatsby is oatmeal and vampires are Lucky Charms. Vampires, of course, ARE Lucky Charms—they are magical and delicious and just dangerous enough to excite me. I love vampires, and I love vampire books. And please know that I would never argue against putting books kids want to read in their hands. But I am arguing that we need to make space in our classes—no matter how advanced or remedial the students—for ambitious novels. Because good is not the opposite of fun. Smart is not the opposite of fun. Boring is the opposite of fun, and when we create the smart/fun dichotomy, what we end up implying is that Gatsby is boring."
  • Sara Ryan posts an excerpt from her dad's SF fanzine, autumn/winter 1957 issue.
  • Justine has some questions for signing attendees.

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