Monday Hangovers

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Saturday Hangovers

Four little hangovers:Paterson

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Cheater

It hardly seems fair that Bernice McFadden has The Dead to help write her books:

Yes, I believe the dead talk to me, or through me — whichever claim makes you less uncomfortable.

I see more than I hear. For me the experience of communicating with the dead is more like watching a movie. Technicolor images, dialogue, voiceover narration. I have to admit, it’s quite impressive.

But more interesting than your run-of-the-mill The Writing Life column. Anyone read her?

Also noted: Deborah Tannen on her favorite books on "women’s issues."

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Remembrance (REupdated)

Karen Joy Fowler remembers Octavia Butler for Salon:

The last two stories I read by Octavia E. Butler prior to her death in February, at the age of 58, were "The Book of Martha" and "Amnesty." Both were published in 2003, and both are available in the SciFi.com archives. Neither, in my opinion, is absolutely first-rate Butler; still, they are quintessential as to theme and character. They have their own strengths, and remind you of the pure stuff that made Butler’s work so powerful.

The opening to "The Book of Martha" makes for sad rereading now, though. In it, God tells Martha that she is free for the very first time. Martha seems to be much like a younger Butler — a woman of 43, an African-American and a writer. Her first concern is that she must be dead, and she doesn’t want to be. Her last memories of earth are of writing, the "sweet frenzy of creation that she lived for."

It’s worth clicking through the ads.

Updated: Meghan is my hero. I wholeheartedly second her response to the silly thing at Bookslut. NOBODY MESSES WITH KJF, FOOL!

Anyway, one side note: I wouldn’t have had as much of a problem with Itzkoff’s list if it had really felt like an honest list of favorites. But it felt very manufactured to me — as I’ve said elsewhere, the inclusion of Looking for Jake seemed like a ringer (which is not to say that Mieville didn’t deserve to be on the list) — and the fact that a critic’s manufactured list serving as a quasi-manifesto about his taste would be so uniformly white and male and narrow is what’s most disturbing to me. Which is not to say I couldn’t be wrong — perhaps these really are the books he loves best, in which case, we’re back to Meghan’s point that a critic is accountable for examining and understanding his own taste, especially when it turns out to be so narrow and unrepresentative.

I thought Karen was actually way more GENEROUS than most of us to Itzkoff in her remarks. Also, I love the implication that Itzkoff has such a huge readership — his readership are people buying the paper, and except for his mom and Michael Schaub, not buying it for him. When someone reads Karen, they’re doing it ON PURPOSE. Okay, must stop now. Go read Meghan.

See also: Dave Marusek’s bemused response to the reactions Itzkoff’s column touched off.

p.p.s. The irony that we’re now talking about Itzkoff again when Karen was writing about Octavia Butler is not lost on Hemingway the Cat, LLC, or George Rowe the Dog, My Attorney. They keep looking at me and shaking their heads. You will never learn, they say.

And: Schwartz(ie) enters the good fray. But good too.

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Aztecy Goodness

Fundacion_1 I started writing a new book a couple of weeks ago. It’s another YA and it’s called (for now, at least) Aztec Dance Tunes. I’m head-over-heels in love with it. With the idea and the characters and the research and how weird it is. I’m so in love with it, I don’t even feel guilty for setting aside Roanoke while I write it. Roanoke’s just not where my head is at right now. It’s in this other place instead.

I’m also trying to write it a bit more deliberately (though not snail’s pace) than I usually do for a first draft. I’m focusing on a chapter at a time, trying to do a chapter or two a week, and fine tuning what I’ve written for a couple of days before moving on. All the while figuring out the larger arcs in the book. And finding little scraps of plays and poems and songs, etc., to start out the various sections with. And reading lots of weird, interesting research material about all sorts of things that may or may not make it in.

Anyway, I often pick out a working soundtrack when I start a new project. I choose songs that capture the feeling or theme of certain incidents or moments I think will be in the book, or sometimes it’s a song that I associate with a character and what they’re experiencing in the book. It helps. Christopher’s work on digitizing our music has made it easier and even more fun this time. (BTW, thanks to all who have commented and sent tips for managing the library.)

Last night I burned my very first iTunes CD, which will serve as the initial soundtrack for writing this book (future playlists to come as needed). I thought I’d throw it up here, because I’m a little in love with all of these songs at the moment. If you were me you could totally see a book written between these lines:

The ADT Playlist

Mouthful Of Air / Catherine Wheel
Your Ghost / Kristin Hersh
Love Is Stronger Than Witchcraft / Robert Pollard
Bucky Done Gun / M.I.A.
(I Was Born In A) Laundromat / Camper Van Beethoven
Galaxies / Laura Veirs
The Moon / Cat Power
Velvet Days / Kristin Hersh
Life Is But A Dream / Tanya Donelly
Monster Hospital / Metric
Service and Repair / Calexico
A Chicken With Its Head Cut Off / The Magnetic Fields
Low / Cracker
Season of the Witch / Luna
A King And A Queen / Okkervil River
Static On The Radio / Jim White
Wicked And Weird / Buck 65
We Could Send Letters / Aztec Camera
Humans From Earth / T-Bone Burnett
Run Devil Run / Jenny Lewis & The Watson Twins*

(*Y’all managed to change my mind on this one; it’s just that one track that’s imitation Neko.)

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Reason to Buy: Magic Lessons

MagiclessonsMy dear friend Justine Larbalestier‘s second YA novel, Magic Lessons, debuts today and I’m going to gush about it a bit, if you’ll indulge me.

When Justine first told me about the trilogy she’d sold, I thought it sounded pretty wonderful. A girl goes through a door in Sydney and steps out into New York, where she’s instantly freezing and experiencing snow for the first time in her life. A world in which those who have the ability to use magic can choose between going mad or dying early. A grandmother who might be evil or might be good, a mother who appears good but might be evil, and a host of other options far more complicated.

I’d read and enjoyed a couple of Justine’s short stories (including one we published in Say… ) before she started on the trilogy. The concept itself seemed the perfect one for her to write, the perfect opportunity to capture her extensive knowledge of Australia (particularly Sydney) and New York. But I wasn’t prepared for how much I loved Magic or Madness. It was even better than I’d hoped. It captured Justine’s voice and (to some extent — write a wholly funny book!) sense of humor and the writing was exquisitely pointed. I was particularly impressed by some of the decisions she’d made about point of view — alternating chapters between Reason Cansino in the first person and her friends Jay-Tee and Tom in limited third; a strategy which works beautifully though it would seem full of possibilities to fragment the narrative or make it not seem as cohesive. Justine had clearly come into her own as a writer.

Or so I thought before I read Magic Lessons. Because as good as Magic or Madness is, Magic Lessons is even better. Justine’s writing has become even more delicate, even more finely pointed, even funnier and scarier. It’s rare for a sequel to really build on the first book in a satisfying way, but Magic Lessons accomplishes that. It reminds me, in a way, of Holly Black‘s work — I adored Tithe, but found Valiant to be just jaw-droppingly great.

It’s hard to do what Justine’s doing in these books, and make it look so easy. And it’s hard to be so surprising as a writer — and these books are full of surprising scenes and moments that catch you off guard in the best kind of way. So if you’re in the market for an engrossing fantasy series with a very real real world with characters you care about, you’ll really love these books. Ditto for the teenagers in your life. I don’t want to get into the plot, because as a reader I loathe knowing what happens before I go into a book. I like to experience it as clean as possible. I’m not going to spoil anything for you. Just read them already.

See also:

The praise of others
Photographer extraordinaire Scott Westerfeld’s entry from today

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VeronicaMarsTalk

Finally. Yay!

"Versatile Toppings" Neptune High’s closeted gay teens turn to Veronica for help when a blackmailer cracks into a private online bulletin board and threatens to publicly out everyone. Kristin Cavallari guest stars.

(And I might add that Bones moves to 8 p.m. Wednesdays on Fox; it’s a show that’s grown on me over the past several episodes.)

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storySouth holla

storySouth has released its notable short stories of 2005. Tons of great stories on that list and a bunch I’m interested to check out. I was especially cheered by these notices of awards, based on the jury’s selections and outside nominations:

Million Writers Award for best online publication

    * Strange Horizons wins this award for having seven of their stories selected as notable stories of the year (more than seven stories, actually, since the "Tales of the Chinese Zodiac" by Jenn Reese is 12 individual stories published over 12 months).

-SNIP-

Finally, SCIFICTION is awarded an honorary "can’t believe the bastards shut you down" award because, well, it is still hard to believe that the penny-pinchers at the Sci-Fi Channel shut down the top online market for quality speculative fiction.

Hurray for Strange Horizons getting some love and for the recognition of SciFiction. And yay for Ms. McCarron, Ms. Wolf Bowen, Mr. Samphire, Ms. Goss, Ms. Reese, Mr. Bowes and the rest!

Check out the competition. According to the site: "The top ten stories of the year will be released on April 1, with the public vote for the top story also beginning then."

(Via Ed.)

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