Just a Reminder

Of why Tod Goldberg rocks:

Moral decay of our culture. Let’s examine that for just one moment, here on the day a crazed zombie with a taste for human flesh pushed itself from the earth to save our souls. Baldwin believes that porn is ruining our culture, whereas Bio-Dome did not? Whereas Half-Baked made the world safe for the children? Whereas The Flintstones Viva Rock Vegas edified God? (Of course, the Flintstones do make a persuasive argument that dinosaurs lived concurrently with modern man.)

That would be Stephen Baldwin by the way, otherwise known as Sleazy McBaldwin.

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Monday Hangovers

  • Emails; I owe a few (million). (And the cat is biting my toes as I type this. And halfway under my chair batting at the wheels.)
  • That Jeff Ford is funny. (And psst, I’ll be posting about a certain book by Mr. Ford over at the LBC on Wednesday, so plan to drop in.)
  • Kameron Hurley reads the infamous VC and takes it apart beautifully.
  • More awesomeness from Rebecca Skloot, this time on tissues. The kind in your body, not the kind you blow your nose in.
  • I love Liza Palmer on certain TV shows: "Jade’s going to self-destruct any minute now — not every episode is going to focus on your ability to twirl, bitch."
  • Sara Gran on one of the worst fictional sins: "More sarcasm: whenever you describe a person of color in a novel, they absolutely must be described as having skin the color of a type of coffee, a type of chocolate, or some combination thereof; mocha frappacino, bittersweet cafe au lait, cocoa with a dab of espresso–as long as you don’t stray from these two food groups, you’re good."
  • Meghan with another lovely rant on feminism. Also, an interesting little post from Paul Collins on how Caitlin Flanagan’s book now differs from the galley; he refers to her as "future footnote."
  • Book Nerd weighs in with an excellent post on the Tournament of Books. Parental advisory: Snark is discussed frankly and honestly.
  • You do not know how upset I am to discover that our UPN affiliate (WWOR out of New York) is showing a BASKETBALL GAME Tuesday night and won’t air Veronica Mars until Wednesday. Grrowl. If it were a WNBA game, maybe I could forgive.
  • Muriel Spark is dead: Read Jenny and Maud.
  • Hop on over to the LBC for the opening festivities of the spring round; as mentioned, I nominated a book this time (beat by a nose, as was nearly everything up; it was close this time). We’re doing some things differently not for this round, but the next one — the nominees for summer are already up at the site to give other people time to read along if they so choose. And there’ll be more of Ed’s mad podcast skillz.

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Down But Not Out

16x20tulip_garden_2001_reduced_webSorry for the sketchy silence, but we’re having (another) one of those weeks. Yesterday saw the arrival of a bill adjusting our gas bill (long story short, someone came out to read the meter the other day) $1500 to our detriment. Ouch.

Despite all that, it’s spring outside, and feeling like it for a change. I bought Hemingway the Cat a bunch of toys, including one that C had to use his manly-putting-together skills to assemble, and which I don’t believe Hem’s bothered sashaying inside yet. That’s what catnip is for.

I’ve been reading the excellent Mohr this week; Unbridled Books continues to impress with their extremely strong editorial taste and beautiful packaging chops. The author Frederick Reuss uses a series of real photographs from Germany in the 1920s and ’30s of exiled playwright and novelist Max Mohr and his wife Kathe (and their lovely daughter, Eva) as an organizing principle and a jumping off point. The book jumps expertly between Mohr in exile in Shanghai and Kathe at the farmhouse in Germany. I’m not quite finished with it yet and will likely have more to say. It’s such an elegant book. The combination of the photos (which Unbridled has incorporated into the book design) and Reuss’ excellent novel add up to something that feels like a much larger story. Markus Zusak’s The Book Thief is next in line and I think it will pair wonderfully with this book.

The image up and to the left is from the gorgeous X-Ray art of Judith McMillan. Worth checking out.

Good weekends all. Happy chocolate egg or stale marshmallow bird hunting, if that’s your thing.

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Wednesday Hangovers

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GilmoreGossipCircle

Well, this is kind of aberrant. A new episode of Gilmore Girls and Veronica Mars on the same night (portent?). I’m doing a post for each though, so things don’t get all confused later.

"The Real Paul Anka" Lorelai (Lauren Graham) has a bizarre dream in which singer/songwriter Paul Anka has a cameo role. Meanwhile, although Rory (Alexis Bledel) and Logan (Matt Czuchry) are back together, Logan is miserable knowing that Rory hasn’t really forgiven him, and he takes off with his friends for another stunt with the Life and Death Brigade. Rory accepts Jess’ (guest star Milo Ventimiglia) invitation to attend an open house at his new book store/art gallery/publishing house in Philadelphia. While there, she is surprised to run into Luke (Scott Patterson), who is accompanying his daughter April (guest star Vanessa Marano) on an academic field trip. Back in Stars Hollow, Lorelai is horrified to find that Richard (Edward Herrmann) and Emily (Kelly Bishop) have been looking at real estate in her town. Keiko Agena, Liza Weil and Sean Gunn also star. The episode was written and directed by Daniel Palladino.

Oh, great, a character assassin-penned ep. At least there’s Jess.

 

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News Is Stranger Than Witchcraft

From the Kuwait Times:

KUWAIT: Hawally police arrested an Egyptian sorcerer in a luxurious flat in the area. Following a tip-off, police observed the man for a long time and sent an undercover agent posing as a customer. Police then arrested him and confiscated from his possession a number of items used in witchcraft. A source stressed that most of the man’s customers were women. Police filed a case and referred the expatriate to the authorities.

(Via Anne at Vertical.)

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Jerks Are Jerks

Good thing there’s plenty of nice, sane, excellent writers in the world.

Chris McLaren considers how much easier it is for knowledge of the artist to contaminate the experience of the art these days:

I’m not sure what the conclusion is here. For authors, the obvious conclusion is to be mindful of the potential effect of your online persona on your audience. For me, in the audience, there isn’t as obvious a conclusion. Maybe I just need to reconcile myself again to the fact that the artist and art are different, and try not to be so shocked when an artist reveals himself to be very different from my mental idea of who they are. I’m not sure I can do anything about the related bias question, or even if I should feel like I should do anything about it.

And he gives examples, which is always the fun part.

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