Snowflakes #3
The snowflake goodness continues — this week’s featured snowflake/illustrator schedule is behind the cut.
Visit the auction site to view all the flakes that will be available and find out more.
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The snowflake goodness continues — this week’s featured snowflake/illustrator schedule is behind the cut.
Visit the auction site to view all the flakes that will be available and find out more.
…
Another note from the weekend: You have not lived until you have eaten one (or several) of MAS’ gluten-free cupcakes. Oh. My. God.
Best. Cupcakes. Ever.
Happy (day after your) birthday, chica!
We recently re-upped our Netflix subscription (big TV and TV season disappointing and all) and have mostly seen terrible movies as a result. (Tranformers = How can you screw up giant fighting robots so badly?) On the other hand, we also finally watched the miniseries of Battlestar Gallactica, which was better than we’d hoped. (Maybe better for having watched most of the series? We found ourselves wishing that Starbuck had kept her messy teeth instead of getting caps before the series though.)
Last night, we had some friends over to watch a movie about Scottish cyclist Graeme Obry called The Flying Scotsman. Cycling is one of those sports that seems to come off well on film, usually — perhaps this is because the sport isn’t such a big deal here so when movies get made about cyclists it’s because the people involved actually care. The thing I liked best about this movie — besides cutie Jonny Lee Miller’s understated, natural performance as Obry — was that it resisted the Good Guy Vs. Bad Guy format that seems to be the default for American movies about sports. This movie is about someone trying to accomplish an amazing, radical athletic feat, but the obstacle is not some evil jerky cyclist from another cohort. Instead, the obstacle is Obry himself (and his mental illness). Bonus: Billy Boyd (Fool of a Took) is physically incapable of playing anything less than lovable and charming as Obry’s friend and manager.
Recommended for non-cyclists, too (and definitely for you Jenny D). You can watch the trailer here. Velodromes are awesome!
A long (but good) week and I am now so very tired and wondering if this is a little bit of a cold that’s setting up. Time to start the echinacea with goldenseal. And get some decent sleeping in.
Have a good weekend everybody, and dress up in costumes, and I’ll maybe drop in with a post or catch up on some e-mail over the weekend. Maybe, but it’s just as likely not to happen.
Back soon though, when s-pid book is finished.
So over at Seven Imps, Jules posts:
At the Southern Festival of Books a couple weeks ago here in Nashville, I heard author/illustrator/novelist Rosemary Wells speak briefly. She said — and I quote this exactly — "process doesn’t exist. Any good writer will tell you that." What say you, authors?
Now, you may find my response shocking, what with the process questions and the write porn around these parts and all. But here’s what I said over there in the comments:
Oh, I definitely agree with her! The reason I’m so fascinated to "talk process" is because I think it’s all lies — seriously, I think we all make up our processes as we go along, and that we probably aren’t even right about what we think they are. Plus, there’s the not wanting to embarrass one’s self when discussing such things. I mean, honestly, so much of it is just thinking, wandering around, taking things in and reforming them into something else. Life is the real process, right?
Still, sometimes what we perceive as the process of creating any given thing can be illuminating, and it’s always an interesting procrastination tool.
I suspect process is just another story we tell ourselves. Thoughts?
Now back to the actual process of TYPING.
Updated: Okay, so I was a bit flip yesterday — I didn’t actually mean it’s all lies. And, besides, note the probably(s) and things in there. Sometimes I forget that this is not actually a window into my brain and so if I don’t frame the whole thing, there is no context. Here’s a bit of a clarification from the comments, which only convinces me I should have made this the longer, more fleshed out post about process I’ve been wanting to do:
Oh, I’m definitely _not_ saying that none of it can be described, that the _entire_ way we say we work is a fiction. That’s not it at all. And I’m using process in the (yucky arty term alert) "creative process," sense, which is larger than habit.
What I’m saying, I suppose, is that the magic is _part_ of the process, and so we can only describe the most mundane aspects of it? So someone saying they sit down for two hours every day and write for 500 words describes something (and definitely captures _part_ of the process), an action that either happens or doesn’t, but it doesn’t say anything about the rest. Or about the six months in which not a word was written immediately before that. 🙂
And, Dave, yes, yes — all I’m saying is that most quantifications of this stuff are missing a lot at best. For instance, if you answer a question for me about your process today, you give me an answer and it’s "true." But how about when your biographers dig that out fifty years from now — was that your process? Because often what a writer said at one certain time gets reprinted a million times and this one’s a moving target for most of us, I suspect.
We want to be more in control of it than we are.
And I will add that the big revelation in terms of my own "process" this year was the discovery that I basically have to write every section of my novel about four times, to get anywhere approaching something I’m happy enough with to move on to the next bit. Honestly, the four times thing is probably inaccurate, but it feels right, to Dave’s point below. (And the flip one I was making yesterday.) At any rate, the reason why this was a big revelation is that it staves off the utter despair that comes during the third revision, when the chapters still aren’t right and I don’t know why. The next novel will probably be entirely different.
You all already know by now about the tremendous Blogging for a Cure effort organized by the ladies of Seven Impossible Things Before Breakfast. Today’s my day to point you to a wondrous snowflake that’s part of the auction, this one by Jimmy Pickering.
Be sure to check out the images from Pickering’s solo show "sweet, sweet evil" and the fabulous books he has both written and illustrated for children.
The 2007 online auctions for these beautiful, hand-painted snowflakes will take place November 19 to 23, November 26-30, and December 3-7. The outrageously cool snowflake above by Jimmy Pickering will be live during the December dates.
Today’s other featured snowflakes are:
Note that the illustrators and snowflakes that bloggers are featuring are only the ones that the Dana-Farber Cancer Institute had ready to go when this multi-blog event was organized. There are even more snowflakes at the Robert’s Snow auction site. Check them out and happy bidding!
Robert’s Snow: Jimmy Pickering’s Snowflake Read More »
Yeah, still horribly behind on email and lots of other stuff. It’s probably going to get worse before it gets better, since I’m trying to finish my book this month (a draft of it, anyway), but I’ll get to what I can. I beg your tolerance for my flightiness in the meantime, but something has to give…
And I stole this more or less whole-cloth from Uma, my fabulous advisor.
This week’s featured artists:
Monday, October 22
Tuesday, October 23
Wednesday, October 24
Thursday, October 25
Friday, October 26
Saturday, October 27
Sunday, October 28
This Blogging for a Cure page at Seven Impossible Things Before Breakfast has a comprehensive list of snowflake and illustrator features to be updated on a regular basis. Visit the auction here: Robert’s Snow 2007.
Please note that not all the illustrators who contributed snowflakes to the online auction are featured in this blogging effort, because some submissions came in later. Look for additional snowflakes on the Seven Impossible site.
So, there’s all this talk — some it really useful — about short fiction and etc. And I could talk about that, but I’d rather recommend something great instead. Luckily, I tend to read the last story of anthologies first, and I just started Ellen and Terri’s trickster anthology, Coyote Road. You need this book, because Kij Johnson’s "The Evolution of Trickster Stories Among the Dogs of North Park After the Change" is AMAZING. A knockout. One of the best stories I’ve read in ages. How does Kij manage that devastating yet hopeful ending? No one does it better.
I’m more than looking forward to reading all the rest too.